Here in the USA, we got Beyonce. In Australia, there was a great cover of Nicole Kidman. Japanese Vogue brought Katy Perry. But what did the rest of the world find in their mailboxes this September? LET’S FIND OUT TOGETHER.
Fug File: Fug The Cover
These are fantastic. Keira Knightley has never looked better or more fun or more dramatic, and I’d pick up any one of them. Take note, Vogue.
I hate to say it, but I think this cover is conceptually kind of boring. Beyonce is a super super superstar, and totally gorgeous, and therefore it makes sense to put her on your September issue (although it’s interesting to me that they’ve got her on the cover without anything — beyond Beyonce Inc, which, in fairness, probably would be incredibly interesting, if we ever saw the nuts and bolts of it, which we won’t — to promote) but when this popped up in my email, my first reaction was that they spun The Wheel of Acceptable Vogue Cover Combinations and came up with BEYONCE and MARIO TESTINO in A FANCY APARTMENT and just went with it. (Testino also shot the T Swift Vanity Fair cover. What with that, and this, and the Cambridge Family Photos, everything is coming up Testino lately.) (BTW, other possible combos on the The Wheel of Acceptable Vogue Cover Combinations include RENEE ZELLWEGER and ANNIE LEBOWITZ in A FIELD, CAREY MULLIGAN and PATRICK DEMARCHELIER in ANOTHER FIELD, and KARLIE KLOSS and BRUCE WEBER in A RANDOM ROOM. We may have actually lucked out.)
On the other hand, her face looks great.
PS: I do think it’s interesting that you can buy this issue of Vogue from Amazon. To me, that is brilliant. You don’t want an entire subscription to Vogue, but you’d love this particular issue to show up with the rest of your mail, so beep bop boop over to Amazon and there you go. Sorted. To, I am sure, the great dismay of newsstands and bookstores everywhere, yet again. But I think this is going to help Vogue‘s sales tremendously, because people hate to leave the house. (This issue is, in fact, as I type this, #46 in Books, which…sigh. Amazon, I know they call the magazine “the book,” but it’s not ACTUALLY a book.)
PSS: if you want to check how you’re doing in this year’s Vogue Predict-A-Cover, here it is. I am doing TERRIBLY.
K. Stew has gotten a LOT of covers lately. And I can’t say she’s not working them. This one is pretty good, right?
I mean, yes, that tee shirt looks like you accidentally threw it into the dryer with a packet of razors, but the blazer is great and I feel like she’s FINALLY figured how what to do with her face on these things. Maybe the haircut just makes her feel more like herself, but while this photo would be weird if you ran across it on, say, InStyle, to me it feels bang-on correct for Nylon.
She’s maybe a bit dead-faced, and her lips are flavorless, but I STILL think Miss Miley actually looks quite good on this cover. Inside, she throws a little shade with regard to Taylor Swift (but not AT Taylor Swift). With regard to the “Bad Blood” video, she said:
“I don’t get the violence revenge thing. That’s supposed to be a good example? And I’m a bad role model because I’m running around with my titties out? I’m not sure how titties are worse than guns.”
I CANNOT TELL YOU how much I HATE the word “titties.” From a man or a woman. It’s the most infantilizing word. I honestly think I prefer every single other slang term for “breasts” to that one. Anyway. I see where Miley is going, and it’s a clever way to try to make people stop and think while also guaranteeing herself a headline. Miley, in fact, often says things that are so bluntly self-aware that they make me like her. But as much as I get that she’s gesturing at a larger point about society’s reaction to nudity, the context feels like a stretch. The “Bad Blood” video is silly — all those celebs in it for 2 seconds each, and the nicknames; nothing really HAPPENS – but I don’t think it’s a YAY GUNS YAY VIOLENCE affair. It’s a wannabe sci-fi movie. It’s a video made to illustrate a song about a feud, set in a futuristic world. I didn’t hear Miley complaining about herself with regard to Mad Max when everyone was all up in Charlize Theron as a female-empowerment hero, and I certainly don’t think anyone’s citing “Bad Blood” as a reason Taylor Swift might be a role model (more that she is articulate and well-dressed and seems to have her head on relatively straight, and I personally like that she’s a musician who actually plays multiple instruments). To me that bite basically exposes that Miley IS defensive about how she’s perceived, even though the rest of the time she pretends she’s totally FINE about people not liking her insistence on nudity, because she’s TESTING US with it, and she doesn’t care, and she’s happy with herself, and it’s OUR PROBLEM, and yada yada yada. Also, “Bad Blood” is just one video; Miley’s boobs are like three years of repetition. It’s just interesting when a person who really doesn’t want you to think she cares what people think, exposes that she totally cares what people think.
[Photos and story: Marie Claire]