Fug or Fab: Zosia Mamet


It’s not that this looks bad on Zosia…

zosia mamet southpaw

… it’s just that the whole thing is six barrettes and a crispy dye job away from being vintage Donna Martin, and after the fourth person who comes up to ask if she left Ray Pruit at the pumpkin patch, it might get real old.

[Photo: Fame/Flynet]


Recent Fugs and Fabs of Emmy Rossum

While Taylor Swift is off taking over the world on tour, and Reese Witherspoon is…I don’t know. On vacation …we must look to Emmy Rossum as our Woman Walking Around Town Wearing Stuff touchstone. Thank you, Emmy Rossum, for walking around both New York and the greater Los Angeles area holding a good bag and wearing a cute dress. THANK YOU.

[Photos: Fame/Flynet]


Boringly/Boredly Played: Rachel McAdams and Jake Gyllenhaal

The Southpaw promotional trail, winding through the ESPYs and whatnot, has been… curious.

jake gyllenhaal, rachel mcadams

That dress feels like she’s running out of steam and just wants to go home. And I am not sure Jake ever had any steam to run out of; at all these events, at least from what I’ve seen, she comes off like she’s trying to smile and manufacture some chemistry while he’s all but stroking his beard and musing, “Is Nietzsche right that objectivity is a fallacy? Did the notion of perfection create imperfection, or vice versa? What ARE numbers? Why is Fox Sports One in the 200s on DirecTV but Fox Sports Prime all the way up in the 600s? UNIVERSE, THY QUIRKS PLAGUE MY SLEEP.”

[Photo: Getty]


Royally Played, Prince George

In honor of Prince Squirmy Monkey turning two tomorrow, the palace has — as you can see! — released a new Testino pic via their Instagram:

Look who’s turning two tomorrow! #HappyBirthdayPrinceGeorge

A photo posted by Kensington Palace (@kensingtonroyal) on


[Photos: Kensington Palace/Mario Testino)


Fug the Show: Astronauts Wives Club recap, “Flashpoint”

“Hey guys, I’ve got an idea! Let’s take the only couple the audience might be kinda invested in and ship one of them off to San Francisco for no reason and don’t really give them a satisfying farewell of any sort! Also, have everyone do a different accent again — that was fun! Also, let’s take what should be two huge plot points and just kinda shovel them into this one episode, which is going to cover some REALLY vague amount of time but at least six months. Also, toss in some half-hearted but also ham-handed stuff about civil rights at some point — make sure you just go ahead and cover Gloria Steinem and Martin Luther King, Jr. in the same montage, okay? Also, let’s have Kennedy get shot with three minutes to go and then just end the episode with a BBQ!”

In short, yet again, although this episode had some good scenes in it (Trudy and Gordo’s Hawaiian reunion was effective enough that it caused me to delete a line in my notes that read, “every dramatic instinct this show has is wrong;” Sam Reid, the dude who plays John Glenn, is really naturally sympathetic and does a lot with the little they give him), this show is…really a mess. I actually really REALLY feel for the writers. There is no way this wasn’t an incredibly difficult job — the scope of this series is immense and it is crazy — and I am sure everyone on staff had the “can’t we have them AT LEAST KISS?”/ “NO THESE ARE REAL PEOPLE” argument time and again and are all probably discussing the challenges of this show in therapy. I have moved from being frustrated by this series to wanting to buy all the writers on staff a drink.

Let’s run down the major plot points and then get to the outfits, shall we?

John and Annie Glenn: Continue to be perfect saintlike people with nothing to do other than be strong and do right for America. John does testify in front of Congress that he is worried that women shouldn’t be astronauts because they don’t have the appropriate test pilot training, but if this isn’t a kind of salient point, the show doesn’t do a great job explaining why not. (John notes that although the women have a lot of flying hours, there is a difference between test pilot training and flying a commercial plane, which seems true?) There is a lot of this in the Trudy/Gordo plot, obviously, but it seems (per the show) that the women who were agitating to become astronauts argued that they did better on all the testing that the male astronauts underwent than the men did, and thus wanted to be considered to become astronauts along with them, using this as a way of testing out of the “have to be a test pilot” portion of the requirements. I don’t know the answer to this and I am literally asking: Why weren’t these women arguing that they ought to be allowed to be test pilots also, as a first step toward being tossed into the pile for Astronaut Consideration? Did they try and just get denied? (I should note that I am old enough that I remember when Sally Ride was the first American woman in space, and the fact that it took until 1983 is amazing in a bad way. I am highly Pro Female Astronauts; I just had a hard time following this, because as usual this show doesn’t give you enough background and then basically seems to gloss over something that ought to be the A story for an entire episode.)

Louise and Alan Shepard: Louise decides she wants Alan to be faithful to her and asks him for that, thanks to Important Lessons She Learned from Max Caplan: Reporter, who is moving out to San Francisco to be groovy, who she never kisses nor wishes a meaningful goodbye. MC:R, in fact, tells Louise, “this isn’t how I wanted to say goodbye to you,” which is interesting because HE’S FICTIONAL so he could have at least given her a dramatic and angst-y speech if this show wasn’t worried, I assume, about getting sued by a variety of Shepards? Also, MC:R, YOU’RE A WRITER. WRITE HER A BEAUTIFUL LETTER. Also: WOW that was frustrating, although both actors really did try their level bests. Also also: this show has conceived of Alan Shepard as a cold, cold man who has no feelings and sleeps around, so we never really get why Louise is still so sprung on him. He doesn’t even notice when she’s colored her hair! YOU CAN DO BETTER, GIRL.

Trudy and Gordon: Gordon has to manually land his space ship and it’s looking REAL BAD, apparently, and he’s almost sure to die…but this moment of intense emotional and dramatic tension resolves itself over a commercial break and we’re told about his miraculous perfect landing via news footage. When he arrives in Hawaii, however, Gordo gives all the credit for his safe arrival and his abilities as a pilot to his pilot wife, Trudy, which is awesome. Also awesome is that he takes her out in a military plane after the disappointment of the aforementioned failed congressional hearings and they basically reenact that scene in Top Gun where Maverick does an unapproved fly-by of the base. (This makes Trudy the Goose, which is better in all things except the question of longevity.)  She apparently agrees that Gordo is being awesome, and makes out with him in front of a bunch of reporters, which was actually totally satisfying because AT FREAKING LAST SOMEONE MAKES OUT ON THIS SHOW. We also meet one of Trudy’s best friends, who is in town to testify in front of the congressional hearing (…in Houston? What…is happening? Or do they all fly up to DC, and Best Friend has stopped in to see Trudy to…for….reasons? Whatever) about the aforementioned Wonderful Ladies of Space question, and I really wanted her and Trudy to be secret lovers, but alas it is not to be.

Betty and Gus: It’s really hot in Betty’s house right now.

Jo and Wally: It’s also hot in Jo’s house. So they start visiting a Gemini Wife every day because she has A/C. Don’t worry, at the end of the episode, Nameless Gemini Wife Played By Nora Zehetner does get invited to the BBQ of Togetherness in a Time of National Sadness, so I guess air conditioning and intense historical tragedy brought people together.

Rene and Scott:  Rene has decided she wants to be a journalist, and the editor of the newspaper she pitches is all sexist and patronizing but ALSO makes the wise point that, uh, the only clip she has is one article, about herself. He tells her to write him 20 stories. So she does, which is awesome and excellent, but she also acts as if it’s not realistic for the editor to not want to hire some lady with ONE clip. I hate it when shows like this make me sort sympathize with the sexist jerkweed. Anyway, Rene is about mid-speech to Jerkweed about how his sexism has helped her find her voice when a dude pops into the restaurant to announce that Kennedy has been shot, with like FOUR MINUTES TO GO IN THE EPISODE. HOW ARE YOU JUST TACKING THAT GIANT HUGE MASSIVE MOMENT ONTO THE END OF THIS? At the very least, make it your episode out! WHAT IS WRONG WITH THIS SHOW? (If you want to figure out how to handle the JFK assassination without actually having to have your characters react to it as it happened, see Mad Men. Also, make it your episode out and open the next episode a few weeks later.) Additionally, Yvonne Stahovski’s accent is all over the place — she is both Brooklyn and British in ONE SPEECH and that’s just…I don’t even get it, because her accent on Chuck was flawless. Her wig might be a scootch better this week, though?

Marge and Deke: Are still on the show.


Fug or Fab: All of Nicole Kidman’s U.S. Vogue Covers, Including August 2015

So, raise your hand if you had this in the pool. My honest first reaction to seeing Nicole on Vogue was, “Zzz.” Not because I don’t like Kidman — I do; she seems warm in interviews, and I’ve never heard a bad story about her — but because she is to me the epitome of the boring and safe choice for a magazine that desperately needs to shed its reputation as boring and safe (that Hail Mary of a Kimye cover notwithstanding, and besides, it was still somehow boring). I’m sure Vogue feels like it’s in a thankless bind between its older, more affluent readers, and the younger set it needs to entice away from the likes of Elle, but seriously, you can walk that tightrope with Mindy Kaling, whose signature style on The Mindy Project is bright and relevant. Or Rachel McAdams, who is in two gritty projects that would seem to signal a potential crossroads, or at least a turning point. Or Jada Pinkett-Smith, who stole Gotham and then Magic Mike XXL. How about Melissa McCarthy? Uzo Aduba? Coco Rocha, the new mom and arguable main supermodel of this crop? Or stick a dude on there. JUST a dude, not Dude and Bride. The point is, I don’t begrudge Kidman a cover at all, but it feels like there is so much fertile territory elsewhere that we didn’t need ANOTHER story about how Nicole is grounded and real and talented and warm and loving and embraces her simple life in Nashville and digs on Keith Urban and is really happy now. Those are all wonderful things that I’ve read before.

That said: I decided to try and rustle up Nicole’s other covers, just to see if she’d been on it as frequently as I thought; a Salon story in 2014 that said she’d been on the cover seven times, so that would put this one at eight, and that bears out with the number of images that turned up.  What’s more, it appears her most recent one before this was a group cover promoting Nine from back in late 2009. Can that be possible? Nearly six years since she graced Anna’s big book? Do we think anyone at Vogue even knew it had been that long? I picture Hamish Bowles being, “She was just on it… wait, WHAT? SIX YEARS AGO?” before pressing a giant red alarm button. So perhaps the perception that she’s a perennial favorite lingers entirely because she owned it in the Aughts (and certainly she’s filled in the empty time with Elles and foreign Vogues and probably some InStyles, so it’s not like she’s been absent).

Which is your favorite? Eight covers puts her firmly ahead of Sarah Jessica Parker (six, per that same Salon piece). Is eight enough, as the heroic TV sitcom once so tenderly posited? Were you glad to see her on here again?

And finally, after the jump, a “73 Questions” video in which Nicole Kidman comes off as a very charming hang.

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