This show is quite the amalgam: We have the country prints for which Brock has become famous — the ones that almost resemble the nightgowns you’d have had as a kid — mixed with some very Chanel-esque tweeds, some Marc Jacobs-y necklines, even some Boss-like businesswear. I wonder if this line is having an identity crisis, and testing out what people like before honing in on a shift.
