The Hodakova designer told WWD that this collection was borne of her climate anxiety, and it is DEFINITELY giving me anxiety. She is of course referring to the lighter fabrics – Hodakova famously uses a lot of found materials, like spoons; these are coated with beeswax – but I am referring to the EYES PAINTED ONTO EYELIDS. Apparently that symbolizes that we cannot look away from the crisis, even if we try, and oh my god, she's right about one thing: I keep staring, and it's unsettling my soul.